Minutus

His way of working is a kind of Bönninghausen method in which the generalyzed modalities but even more so the generalyzed phenonomena play an important role. These phenomena are used in a combination of actual phenomena and symbolic phenomena, which he takes together when he finds evidence of them in the case.
Giana's case is a good example of it.
I have put some examples of repertorization, several different ones, on my facebook pages in which you can see the way he works, repertororized with rubrics from the Complete Repertory. The larger analysis more a mix of some complete symptoms (location, phenomenon, modality or concomitans), the smaller ones more condensed according to his principles. Mancinella does come foreward clearly.

the link to the first analysis is here:



Regards,

Roger

Any other way to access case. I do not do facebook any more. It is too hard to control what they do on your behalf. Thank you, Jean

facebook, might have been like that Jean, but now you can control whom you want to post, whom you want to send etc. I find it nearly impossible to work without these days and love the community there. The same goes for Homeopathic World Community here:
http://homeopathyworldcommunity.com/pro ... _Zandvoort

Agree wholeheartedly with you, Jean. I refuse to do Facebook for the same reasons.
Peace,
Dale

Thank you for posting this, Roger. It doesn't, however, look like a Herscu repertorization. Way more rubrics than he uses (or, at least, used to use). Has he changed his style? This doesn't follow his Cycles & Segments method of organizing a case.
Peace,
Dale

Dear Dale,

You are correct, the first two do not do that, the last one does that much more, but within the reach of the rubrics in the repertory. Point I am trying to make is that also with more common repertorization, the large one, you can find manc., while it is also possible to use the generalized rubrics in a more symbolic way, third one, and find the remedy, although the remedy additions to the Complete Repertory have not been made starting from a symbolic view on the material.