Hi --- I'm still pondering over this case from Dr. Seghal's website ....
---
I have to admit I'm baffled, as I would choose "Cautious" over "Careful" from the
description he gives of why he picks certain rubrics over others (see below). A
moot point perhaps, but if you look at the x-references also, then at least half of
them could also be chosen instead [carefulness; conscientious about trifles; fear,
happen, something will; insecurity; reserved; suspiciousness; timidity]. I could also
query not using "Cautious, anxiously" as a rubric, as laughter often masks anxiety,
but apparently not so in this method.
His evaluation -
CAREFUL : One can be careful while doing something.
CAUTIOUS : Cautious before the event arrives.
It still reps out to Bar-c. I can see how clever this is in a 5-20 minute interview
when time is of the essence and you have to see a characteristic to prescribe on.
But what about the ear stuff? Is it completely ignored, or does he use it, [eg. Ear
pain, general with 428 rubrics], or does he look at the sensation, sides, and the
modalities, listed below for Bar-c, or is it completely ignored ???
EARS; PAIN; general (428)
EARS; PAIN; general; left (133)
EARS; PAIN; general; right (153)
EARS; PAIN; general; right; left, then (8)
EARS; PAIN; general; night (45)
EARS; PAIN; general; blowing nose, on (18)
EARS; PAIN; general; lying; agg. (21)
EARS; PAIN; general; lying; agg.; side, on painful (14)
EARS; PAIN; general; extending; outward (60)
EARS; PAIN; general; about (103)
EARS; PAIN; general; front of (45)
EARS; PAIN; general; behind (187)
EARS; PAIN; general; behind; right (25)
EARS; PAIN; general; behind; touch; agg. (3)
EARS; PAIN; general; behind; turning head (1)
EARS; PAIN; general; below (37)
EARS; PAIN; general; meatus, external (133)
EARS; PAIN; boring (K308, G258) (81)
EARS; PAIN; boring; right (K308, G258) (20)
EARS; PAIN; boring; front of (K309, G258) (5)
EARS; PAIN; crawling (1)
EARS; PAIN; drawing (K310, G259) (111)
EARS; PAIN; drawing; night (K310, G260) (4)
EARS; PAIN; drawing; front of (K311, G260) (4)
EARS; PAIN; drawing; behind (K310, G260) (28)
EARS; PAIN; pressing (K311, G261) (157)
EARS; PAIN; pressing; right (K311, G261) (14)
EARS; PAIN; pressing; right; left, then (K311, G261) (1)
EARS; PAIN; pressing; lain on, ear (K312, G261) (2)
EARS; PAIN; sore, bruised (K312, G261) (68)
EARS; PAIN; sore, bruised; below (K312, G261) (5)
EARS; PAIN; stitching (K313, G262) (247)
EARS; PAIN; stitching; left (K313, G262) (48)
EARS; PAIN; stitching; behind (K314, G263) (62)
EARS; PAIN; stitching; below (K315, G263) (12)
EARS; PAIN; tearing (K315, G263) (175)
EARS; PAIN; tearing; left (K315, G264) (25)
EARS; PAIN; tearing; front of (K316, G264) (22)
EARS; PAIN; tearing; behind (K316, G264) (59)
EARS; PAIN; tearing; behind; right (K316, G264) (4)
EARS; PAIN; tearing; behind; touch agg. (G264) (1)
EARS; PAIN; twinging (K316, G265) (24)
or
EARS; BOENNINGHAUSEN; internal, labyrinth (108)
I would love to be able to understand this 'eastern' approach, as it seems to cut to
the chase, and in a busy practice it would be a godsend. I have his books, but
found them difficult to absorb - about 90% or more of the people I see have a
"desire for light", so I find it hard to prescribe on this - desire for dark would be
easier !!
I also know several people who have independency/dependency issues ["Desire to
be carried + fast] - but the Seghal method does not seem to allow for the polarities
within the human psyche either. I would gladly use it if I could see it - I attended
a lecture on it once, and could see that it was potentially red-hot if one could get
into the correct mindset. Maybe practitioners of this particular art have fashioned
their understanding of either some rubrics, or the polychrests in a way I have not
understood - nonetheless, I remain open to taking more in before I would risk it
on a px.however. Taking three rubrics from the M/E level alone seems a mighty
big step for me at the moment!
regards, Barbara
-- In
minutus@yahoogroups.com, Feras Hakkak wrote:
Homoeopathy". All of them are good to read but to get familiar with the concept
you must first read the series 1, 1A, and 2. The other volumes are for those who
know the basics.
similar to Sankaran's method. These are totally different, although they have some
common aspects.
Which one should I start with? If I am working on the Sensations of Homeopathy,
do are need them? Are you saying that the method cannot be learned from the
books? I like books better than seminars. Can't afford the travel or the cost of
seminars yet. Just looking at the website, it looked like an elaboration of Rajan
Sankaran's Sensations of Homeopathy which looks to me like a deepening and
clarification of classical homeopathy. It is something that you work out over years
of tinkering and thought. Not a cookie cutter method.